All posts by Mika Taanila

TECTONIC PLATE at Lukutila, Jyväskylä, Finland. ( )

April 29, 2017 - April 29, 2017

The original Finnish version of the cameraless feature film Mannerlaatta (“Tectonic Plate”) is screening at Jyväskylä’s new literature event Lukutila on Saturday 29 April 2017 at 14:00h (Ilokiven teatteritila). Introduction and Q&A with Harry Salmenniemi and Mika Taanila.

link to event

Tectonic Plate

TECTONIC PLATE at Le Festival International du Film sur l’Art in Montréal, Canada ( )

March 24, 2017 - April 1, 2017

The cameraless feature film Tectonic Plate has its North American premiere at Le Festival International du Film sur l’Art (FIFA) in Montréal, Canada. The first screening is on Friday 24 March at 20:45 at Cinémathèque québécoise – Salle principale. Re-run takes place at UQAM – Salle Jean-Claude Lauzon on Saturday 1 April.

link to program (in French)

Tectonic Plate (2016)

Three miniature films / Oi maamme! (2017)

January 1, 1970

Three short archive collage films commissioned by Yle kulttuuri ja viihde “Oi maamme!” project , as part of Finland’s celebration of 100 years of independence.

 

Sad Song of the Hard-Edge Transition Wipe Markers (Teräväreunaisten siirtymämerkkien surullinen laulu) b&w, dur. 3’21”

Early 1950s newsreel laboratory marker films used for indicating effects like wipes, dissolves and fade-outs in the work print, now freed from their utilitarian practice.

Sad Song of the Hard-Edge Transition Wipe Markers (2017)

 

Delay of Game (Pelin viivyttäminen) anaglyph 3D, col, dur. 5’04”

Nocturnal outdoor ice-hockey match revisited. On Thursday, January 14th, 1954 the weather in Helsinki was mild, only minus two degrees centigrade.

Delay of Game (2017)

 

Branches (Oksat) anaglyph 3D, col, dur. 6’07”

Helsinki in four shots, four locations, accompanied by four tape loops.

Branches (2017)

 

Producer: Minna Lindroos / Yle kulttuuri ja viihde

Commissioner: Harto Hänninen

Sound design: Olli Huhtanen

Director, editor, music: Mika Taanila

Co-script for Branches: Jussi Eerola

DCPs: Teijo Pellinen / Kinokki

Supported by AVEK / Tuuli Penttinen-Lampisuo

 

The World / The Earth Who Fell to Man (2017)

January 1, 1970

The Man Who Fell to Earth evacuated and flipped. In abandoned landscapes, animals, furniture and empty vehicles are left awaiting for disaster. ”We must have died alone, a long long time ago.” (D.B.)

The concept appears in two different forms: The World is a short film for a cinema screen, whereas The Earth Who Fell to Man is a single-channel video installation. They both use the same source material and reductionist approach. The difference between the two incarnations of the project is their structure and order in the narrative flow of images. The World has a beginning, middle part and an ending. TEWFTM can be watched as at any given random point.

link to trailer of The World

link to trailer of The Earth Who Fell to Man

The World / The Earth Who Fell to Man (2017)

Selected screenings for The World:

  • Tampere Film Festival, 2018
  • IFFR Rotterdam, The Netherlands, 2017
  • CPH:DOX, Copenhagen, Denmark, 2017
  • Ei tätä päivää, WHS Union, Helsinki, Finland 2017
  • Midnight Sun FF, Sodankylä, Finland, 2017

 

Selected screenings for TEWHTM:

  • “The End”, STUK, Leuven, Belgium, 2018
  • “Cleaning Tapes”, Sandviken Konsthall, Sweden, 2017
  • balzer projects, Basel, Switzerland, 2017
  • Salon Dahlmann, Berlin, Germany, 2017
  • tape/basel, Switzerland, 2017